Ek Veer Stree Ki Kahaani. Jhansi Ki Rani is an Indian historical drama based on the life of Lakshmi Bai, the Rani of Jhansi. The series was directed by Jit.
Running time148 minutesCountryLanguageHindiBudget₹6 millionJhansi Ki Rani is a historical drama film produced and directed by for his Minerva Movietone production banner. It is credited as the first Technicolor film made in India and starred Modi's wife, Mehtab in the title role, with Modi in the important role of her mentor, Rajguru (royal adviser). The film was dubbed in English as The Tiger and the Flame, which released in 1956 with the same star cast. The cast besides and Sohrab Modi included, Ram Singh, Baby Shikha, Marconi and Shakila.Set in the 19th century against the backdrop of the, the film is about the bravery of queen Lakshmibai, who took up arms and led her army against the British. She was one of the first Indians to do so. It was the up until then, with a budget ₹6 million, but became a box office failure.
Contents.Plot Rajguru decides that should get its proper recognition in history. He comes across a young girl, Manu (the young Rani Lakshmibai), played by Baby Shikha.
Her father has been hit by a carriage driven by an English driver. She gathers a few children to confront the driver. This, and her confrontation with an elephant impresses the Rajguru who takes her in hand, shaping her into becoming a determined leader. He arranges for her, at the age of nine, to marry the much older ruler of Jhansi, Gangadhar Rao (Mubarak), who is about fifty years old, and become Queen.Manu grows up under the expert tutelage of the Rajguru, learning physical combat and political administration. The older Manu, now called Lakshmibai gives birth to a boy who dies.
She adopts another boy, Damodar Rao, who the English refuse to accept as the rightful heir. This further sets her against the British. During the uprising of 1857 (1857 Mutiny), she fights against them, succumbing to her injuries in the end.Cast. as Rani Lakshmibai.
as Rajguru. as Gangadhar Rao. as General Sir Hugh Rose. as Ghulam Ghaus Khan. Ram Singh as Sadashiv Rao.
Baby Shikha as Manu. Anil Kishore as Lieut. Henry Dowker.
Kamlakant as Moropant. S.B.
Nayampalli as Panditji. Michael Shea as Major Eliss. Gloria Gasper as Doris Dowker.
Marconi as Colonel Sleeman. Shakila as Kashi. Dar KashmiriProduction The film was released in India in 1952 (1953) as Jhansi Ki Rani and released in the US as The Tiger and the Flame in 1956. Modi had Hollywood technicians brought in to help in the technical aspect of the film. He managed to create the right era using historical details correctly. The main cinematographer was the Hollywood Oscar winner for (1939), who was assisted by M. Malhotra and Y.
The editor was from England. The film deviated from the fictionalised accounts and stuck to the extracts from the novel Jhansi Ki Rani (1946) by Sohrab Modi And Historicals Modi concentrated on Historicals, prominent of which were (1939), Jhansi Ki Rani and (1954), which are 'considered milestones of the genre'.
Box-office The press praised the film lauding Modi's use of colour and direction. However, in spite of having spent lavishly on technicians, sets, war scenes and making it in colour, the film was a big box office disaster causing Modi great financial losses. Modi was blamed for casting his wife Mehtab in the title role of Lakshmibai, who looked too old at 35 years to portray the young queen half her age.
Crew Crew. Dialogue: L. Bijlani and Dialogue director was William DeLane Lea. Screenplay: Geza Herceg, Adi F. Keeka and Sudarshan.
Audiographer: M. EduljeeSoundtrack While the English version (1956, dubbed) had no songs, the Hindi version had music by and lyrics by Pandit Radheshyam. The playback singers were, Sulochana Kadam, Suman Purohit, Parshuram and P. Two songs in Mohammed Rafi's voice remain notable: 'Amar Hai Jhansi Ki Rani' and 'Rajguru Ne Jhansi Chhodi'. Songlist #TitleSinger1'Amar Hai Jhansi Ki Rani'Mohammed Rafi2'Rajguru Ne Jhansi Chhodi'Mohammed Rafi3'Humara Pyara Hindustan'Mohammed Rafi4'Har Har Mahadev Ka Nara'Sulochana Kadam, Suman Purohit, Parshuram, Ramakant5'Azadi Ki Ye Aag Hai Lajawab'Mohammed Rafi6'Kahan Baje Kishan Teri Bansuriya'7'Badhe Chalo Bahaduro'8'Nari Jee Jee Re Jee Jee Re'Trivia Impressed by 's performance in (1983), Modi wanted to remake Jhansi Ki Rani with her in the lead.
References. 27 November 2018.
Retrieved 5 February 2019. ^ Harleen Singh (9 June 2014). Cambridge University Press. Retrieved 25 December 2014. ^ B D Garga (1 December 2005).
Penguin Books Limited. Retrieved 25 December 2014.
Jay Robert Nash; Stanley Ralph Ross (1985). Retrieved 25 December 2014. ^. Retrieved 25 December 2014. Tom Bishop; Sukanta Chaudhuri; Alexa Huang; Graham Bradshaw (28 December 2012).
Ashgate Publishing, Ltd. Retrieved 25 December 2014. Retrieved 25 December 2014. Sharmistha Gooptu (1 November 2010). Retrieved 25 December 2014. ^ Gangar, Amrit (2008).
Sohrab Modi The Great Mughal of Historicals. New Delhi, India: Wisdom Tree. Retrieved 25 December 2014.
Retrieved 25 December 2014. Deepa Agarwal (8 September 2009). Penguin Books Limited. Retrieved 25 December 2014. Hindi Geetmala.
Retrieved 25 December 2014. Raju Bharatan (1 September 2010). Hay House, Inc.
Retrieved 18 December 2014.External links. on.
Rani Lakshmibai or Rani Laxmibai was the famed monarch of Jhansi and an embodiment of courage at the time of British reign in India. She was one of the front ranking leaders of the Indian Rebellion of 1857 and a symbol of resistance to British rule.
Her valiant battle to ensure that her adopted son was recognized as the legal ruler of Jhansi may not have ultimately resulted in victory, but she continues to remain a beacon for the upcoming generations of freedom fighters.
Origin
According to historical accounts, Rani Laxmi Bai, also known as ‘Jhansi Ki Rani’, was born on November 19th, 1828, in a town called Varanasi. At the time of birth, she was named ‘Manikarnika’, and was given the nickname ‘Manu’. She was of Maharashtrian origin and her parents were Brahmins. Rani Laxmi Bai’s mother died when she was 4, and the Peshwa of Bithoor district, for whom her father worked, looked after Rani Laxmi Bai’s education and early years.
She had a bright spark of fierce independence even at a young age, and her studies included horsemanship, archery, and self defense. She was then married to Raja Gangadhar Rao in 1842, who was the king of Jhansi. Her one major passion was horses, and her daily routine included hours of horseback riding, which was a form of exercise for her. She gave birth to one son, who died 4 months later. Her husband, who was the king lost his mental stability, and left everything to Rani Laxmi bai, who became the sole monarch for the city of Jhansi.
Rani Laxmi bai was a brave woman who stood up to the British when they wanted to seize her kingdom and declare ownership. In her fight for independence, Rani Laxmi bai showed utmost audacity, and the British army feared her undying determination, and military skill. During the 1858 battle against the British army, Rani Laxmi Bai lost her life, but the British were not convinced till her body had been burnt. This speaks volumes of how petrified the British were of the one Indian woman who challenged them with her patriotic zeal and sovereignty.
Rani Laxmi Bai in Battlefield (Source: perceptionsofareluctanthomemaker)
Style & Attire
The most unique quality about Rani Laxmi bai was her style of dressing. Even though she went out to battle in a sari, she dressed it up like a man. The sari was always tied close to her body, and draped in the typical Maharashtrian style, which is known as the ‘Nauvari sari’. During battle, she wore a scarf tied around her head in order to keep her hair out of the way, while fiercely fighting off the British army. She also wore minimal jewelry.
Simple pair of gold or copper earrings, along with a belt tied around her waist were typical adornments used by the brave queen. She never left her palace without her sword, hanging proudly by her side.
Her swordsmanship and skill with horses even impressed the British. One thing that stood out in her attire was the bindi or tilak she adorned her forehead with. This gave her a traditional trademark, unique and different from the rest. Rani Laxmi Bai was not fond of grandeur, and her simple approach to life appeared in her sense of style as well. She wore cotton or muslin saris, and she draped them in a practical manner, rather than a stylish one.
Present Day Scenario
After Rani Laxmi Bai’s death, the aroma of bravery and feminism ran is Maharashtra. Hence, the women took forward the the style and vogue of Lakshmi Bai ahead by donning the ‘Nauvari sari‘ with the same practical style that the Rani had possessed. The 9-yard Nauvari sari is still in vogue in Maharashtra and all over India, and holds the same value it did centuries ago.
Even today, several movies and television programmes celebrate the unique aura and bravery that the fierce queen of India showcased. Little children generally opt to dress up like Rani Laxmi Bai for ‘fancy dress’ competitions due to the majestic Indian pride the attire carries.
Global Appeal
Rani Laxmi Bai is always regarded as the brave and powerful queen of India. She is put in the same light as the Goddess Durga, who according to Hindu mythology was known as the invincible and strong deity.
Besides this, several ornate statues have been made across India, which uphold the honor and pride that Indians feel with regards to the indomitable Indian queen. Songs and poems of patriotism have been written, which pay tribute to the one and only ’Jhansi ki Rani’. Her style and appeal serve as a reminder of true Indian feminism, which is simple, yet strong.
Reference
Categories: Fashion Cults, Royalty
Comments are closed.
|
AuthorWrite something about yourself. No need to be fancy, just an overview. Archives
March 2023
Categories |